๐ฆ๐ผ๐๐ป๐ฑ๐๐บ๐ฎ๐ด๐ฒ๐๐๐น๐๐๐ฟ๐ฒ ๐ถ๐ป๐๐ถ๐๐ฒ๐ ๐๐ผ๐ ๐ณ๐ผ๐ฟ ๐ฎ๐ป ๐ฎ๐ณ๐๐ฒ๐ฟ๐ป๐ผ๐ผ๐ป-๐ฒ๐๐ฒ๐ป๐ถ๐ป๐ด ๐ผ๐ณ ๐๐ฐ๐ฟ๐ฒ๐ฒ๐ป๐ถ๐ป๐ด๐, ๐ฑ๐ถ๐๐ฐ๐๐๐๐ถ๐ผ๐ป๐, ๐ฎ๐ป๐ฑ ๐๐ฎ๐ฟ๐บ ๐๐ผ๐๐ฝ ๐ผ๐ป ๐๐ต๐ฒ ๐ผ๐ฐ๐ฐ๐ฎ๐๐ถ๐ผ๐ป ๐ผ๐ณ ๐๐ต๐ฒ ๐๐ฟ๐๐๐๐ฒ๐น๐ ๐น๐ฎ๐๐ป๐ฐ๐ต ๐ผ๐ณ ๐๐ต๐ฒ ๐ฎ๐ป๐๐ต๐ผ๐น๐ผ๐ด๐ ๐๐ก๐๐๐๐๐๐๐ ๐๐๐กโ๐๐: ๐ท๐๐๐ข๐๐๐๐ก๐๐๐ฆ ๐๐ ๐ธ๐๐๐๐ข๐๐ก๐๐.
๐๐ก๐๐๐๐๐๐๐ ๐๐๐กโ๐๐ is edited by Therese Henningsen and SIC-participant Juliette Joffรฉ and published by the independent publishing house Prototype. It explores the idea of documentary as encounter through essays, stories, and other responses by filmmakers, artists, and writers.
The texts engage with the risks of encounter, unsettling assumptions about the distinctions between host and guest, stranger and friend, self and other, documentarian and protagonist.
SoundImageCulture is happy to welcome you to an evening with participating artists and filmmakers Andrea Luka Zimmerman, Mary Jimรฉnez Freeman-Morris, Therese Henningsen and Juliette Joffรฉ.
They will present films and engage in a conversation on their work in relation to questions of representation and encounter.
๐๐ป๐ณ๐ผ๐ฟ๐บ๐ฎ๐๐ถ๐ผ๐ป ๐ผ๐ป ๐๐ต๐ฒ ๐ฏ๐ผ๐ผ๐ธ: https://prototypepublishing.co.uk/product/strangers-within/
Programme:
4 / 3 / 2023
๐ฐ๐ฝ๐บ
Introduction by Therese Henningsen and Juliette Joffรฉ in conversation with Mary Jimรฉnez
๐ก๐ฒ๐
๐ ๐ฌ๐ฒ๐ฎ๐ฟ ๐ช๐ฒ ๐ช๐ถ๐น๐น ๐๐ฒ๐ฎ๐๐ฒ ๐ฏ๐ ๐๐๐น๐ถ๐ฒ๐๐๐ฒ ๐๐ผ๐ณ๐ณ๐ฒ
(2021, 46 mins)
Guided by a sentence from my childhood, I encounter three people in Paris: a collector of lost objects, a princess in Disneyland and a coffee seller. Next year we will leave is a reconciliation with my hometown through a dialogue with strangers. Through a mirroring effect, the first-person narrative echoes the stories of those filmed, questioning the possibilities of the documentary encounter.
๐ฆ๐น๐ผ๐ ๐๐ฒ๐น๐ฎ๐ ๐ฏ๐ ๐ง๐ต๐ฒ๐ฟ๐ฒ๐๐ฒ ๐๐ฒ๐ป๐ป๐ถ๐ป๐ด๐๐ฒ๐ป
(2018, 16 mins)
โYouโve got something I want, and Iโve got something you want,โ he said. Twins Trevor and Raymond have lived together in New Cross for fifty years. They opened up their home to me after I approached them on a bus and asked to film them.
๐๐ฎ๐ฐ๐ฒ ๐๐ฒ๐ฎ๐น ๐ฏ๐ ๐ ๐ฎ๐ฟ๐ ๐๐ถ๐บ๐ฒ๐ป๐ฒ๐ ๐๐ฟ๐ฒ๐ฒ๐บ๐ฎ๐ป-๐ ๐ผ๐ฟ๐ฟ๐ถ๐
(2014, 29 mins)
The directorโs 102-year-old father is afflicted with dementia. His memory loss raises questions about the nature of family lineage and identity. Who has she become for him? A Lynchian journey into illness where images unravel in their texture and words become visionary. โTruth is in the eyes of the beholder.โ
๐ฒ๐ฝ๐บ
Soup & More
๐ณ๐ฝ๐บ
๐๐ฟ๐ ๐๐น๐ฎ๐๐ ๐ฏ๐ ๐๐ป๐ฑ๐ฟ๐ฒ๐ฎ ๐๐๐ธ๐ฎ ๐ญ๐ถ๐บ๐บ๐ฒ๐ฟ๐บ๐ฎ๐ป
(2020, 49 mins)
Art Class is a filmed performance lecture playing on, and exploring, the perennial tension between the two key words in its title. It uses the tropes of scholarly presentation and personal confession alongside extracts from the artistโs work, guest interventions, martial arts and meditation exercises and evidentiary found material. The sequence tests the limits of access that working-class artists have to cultural production and to the relevant institutions circulating these outcomes. Alternately playful and provocative, serious and satirical, Art Class favors wit over weaponizing and reflection over rhetoric but does not pull its punches when it comes to the real obstructions to working class creative progress, or to the strategies necessary to overcome such outmoded hindrances.
Conversation with Andrea Luka Zimmerman, moderated by Therese Henningsen
๐ด:๐ฏ๐ฌ๐ฝ๐บ
Drinks
๐ง๐ต๐ถ๐ ๐ฒ๐๐ฒ๐ป๐ ๐ถ๐ ๐ผ๐ฟ๐ด๐ฎ๐ป๐ถ๐๐ฒ๐ฑ ๐๐ถ๐๐ต ๐ธ๐ถ๐ป๐ฑ ๐๐๐ฝ๐ฝ๐ผ๐ฟ๐ ๐ผ๐ณ ๐๐ผ๐ฒ๐๐ต๐ฒ-๐๐ป๐๐๐ถ๐๐๐ ๐๐ฟ๐๐๐๐ฒ๐น๐.
๐ฅ๐ฒ๐๐ฒ๐ฟ๐๐ฒ ๐๐ผ๐๐ฟ ๐๐ฝ๐ผ๐ ๐๐ถ๐ฎ ๐ฒ๐บ๐ฎ๐ถ๐น ๐๐ผ: ๐๐ผ๐๐ป๐ฑ๐ถ๐บ๐ฎ๐ด๐ฒ๐ฐ๐๐น๐๐๐ฟ๐ฒ@๐ด๐บ๐ฎ๐ถ๐น.๐ฐ๐ผ๐บ
๐ช๐ฒ ๐ฝ๐ฟ๐ผ๐ฝ๐ผ๐๐ฒ ๐ฎ ๐ฝ๐ฎ๐ฟ๐๐ถ๐ฐ๐ถ๐ฝ๐ฎ๐๐ถ๐ผ๐ป ๐ถ๐ป ๐๐ต๐ฒ ๐ฐ๐ผ๐๐๐ ๐ผ๐ณ ๐ฑ โฌ ๐ฎ๐ ๐๐ต๐ฒ ๐ฒ๐ป๐๐ฟ๐ฎ๐ป๐ฐ๐ฒ.
๐ ๐ผ๐ฟ๐ฒ ๐ถ๐ป๐ณ๐ผ๐ฟ๐บ๐ฎ๐๐ถ๐ผ๐ป ๐ฎ๐ฏ๐ผ๐๐ ๐๐ต๐ฒ ๐ฒ๐๐ฒ๐ป๐: https://soundimageculture.org/focus_program?l=en
๐๐ฑ๐ฑ๐ฟ๐ฒ๐๐ :
๐ฃ๐ฟ๐ผ๐ท๐ฒ๐ฐ๐๐ถ๐ผ๐ป ๐ฟ๐ผ๐ผ๐บ
๐ฅ๐๐ฒ ๐ฑ๐ฒ ๐ฃ๐ฟ๐ฎ๐ฒ๐๐ฒ๐ฟ๐ฒ ๐ฑ๐ฑ, ๐ญ๐ญ๐ด๐ฌ ๐จ๐ฐ๐ฐ๐น๐ฒ
image ยฉ Art Class by Andrea Luka Zimmermann
Project(ion) Room 